Will Herbert reviews the re-creation of Rothko in the Wyndham's Theatre's production of Red
Goldsmiths' Official Student Magazine
"The Inheritance is a mammoth undertaking. Its two parts are 7 hours in total, but don’t let that put you off: it is breathtaking." Oli Bates reviews.
"A bold staging that injects boundless colour and buzzing musicality to Shakespeare’s most contrary of heroes." Ellie Potts reviews Hamlet at the Hackney Empire.
Goldsmiths attendees cram side-by-side, spilling out onto the stairways to hear the wisdom of popular Turkish female writer, Elif Shafak. Anna Megan McNutt reports.
"An inventive staging of Samuel Beckett's 1972 verbal ambush, Jess Thom's 'Not I' reconceptualises the elusive Mouth and questions the conservatism towards productions of Beckett's work." Ellie Potts braves the Beast from the East for a night of Postmodern pain and pleasure.
Dora Hemming pops her Pinter cherry at The Birthday Party.
As part of the 'Smiths Tries' series, Ellie Potts dips a toe into the Goldsmiths Composers Collective.
Oli Bates reviews Rhum and Clay’s re-staging of Mistero Buffo, the play that the Vatican branded “the most blasphemous show in the history of television."
Ellie Potts talks creative processes and literary haircuts with 2017’s Goldsmiths Prize winner, Nicola Barker.