In a mesmerizing mix of creative writing, illuminating essay work and urgent call to action, Katrina Nzegwu's piece touches on many vital yet nuanced of the current moment, including the relation of collectivism and individuality to race, colonialism, and class.
Looking back on Notting Hill Carnival 2019, the event seems to resemble a distant other world. Using the current climate as a critical lens, Goldsmiths alumni Yuvan Kumar's photo essay is a vibrant, honest, and insightful look at the carnival's most recent incarnation.
Arts and Culture editor Joseph Hewlett-Hall discusses the symbolic and political implications of removing colonial statues, touching on the laziness and cowardice of conservative response to such removals, as well as responses within the Goldsmiths student community towards colonial iconography on our own campus.
What agency do we have over our electronic appliances? Politics editor Aarushi Matiyani evaluates the kitchen through a postcolonial and gendered lens, revealing the semiotic aspects of our everyday appliances that inspired a project of her own.