Edward Green heads down to Deptford's Matchstick Piehouse theatre to review the latest thought-provoking comedy from Mark Daniels...
Goldsmiths' Official Student Magazine
"It’s a piece about our inability to communicate our issues with one another, whatever those may be." Billie Walker reviews Lands, created by Jaz Woodcock-Stewart in collaboration with Leah Brotherhead and Sophie Steer...
Ear for eye is not designed to make you feel empowered or comfortable. It there to make you feel uncomfortable, to make you fidget in the seat as you stare a racist institution in the face...
Will Herbert reviews the re-creation of Rothko in the Wyndham's Theatre's production of Red
"The Inheritance is a mammoth undertaking. Its two parts are 7 hours in total, but don’t let that put you off: it is breathtaking." Oli Bates reviews.
"A bold staging that injects boundless colour and buzzing musicality to Shakespeare’s most contrary of heroes." Ellie Potts reviews Hamlet at the Hackney Empire.
Holly Bond reviews Andrew Bovell’s 'Things I Know To Be True', at the Lyric Theatre in Hammersmith.
"When copies of the Indian Opinion newspaper where thrown at Gandhi by his denouncers, we witnessed the uncomfortable technical challenge of throwing bits of paper through the air." Joe Downing reviews 'Satyagraha'.
Eleanor Smith-Hahn explores Roberto Cuoghi's 'Imitation of Christ' at this year's Venice Biennale.