Richard Curtis' depictions of modern love set the tone for British romantic comedy. Arts and Culture editor Henry Blackwell explores their infectious nature, and the often questionable themes linking them together
Through the looking glass: Travel editor Hannah Leinmüller goes walking in London's business district, reflecting on architecture, gentrification and the symbols of urban finance
Reporting on Goldsmiths University’s decision to cut funding for the Against Sexual Violence project and the Student Union’s statement of response, News editor Tahera Bundhun outlines the college’s consistent lack of commitment to the campaign and echoes the SU’s call for support.
In a mesmerizing mix of creative writing, illuminating essay work and urgent call to action, Katrina Nzegwu's piece touches on many vital yet nuanced of the current moment, including the relation of collectivism and individuality to race, colonialism, and class.
Bye Bye Francis, the campaign to remove the slave pioneer statues from Deptford Town Hall, explains the colonial history of the iconography and why it should be taken down.
Looking back on Notting Hill Carnival 2019, the event seems to resemble a distant other world. Using the current climate as a critical lens, Goldsmiths alumni Yuvan Kumar's photo essay is a vibrant, honest, and insightful look at the carnival's most recent incarnation.
Fashion editor Will Ritchie misses the time when he could meet up with friends over coffee and have a good chat about nothing and everything. In hopes of curing his craving and ours, he reached out to some friends and got their opinions on topics important to them -including cowboy boots, astrology, Justin Timberlake and more.
"There is no definite genre - the album beats like a heart going up and down as it swiftly changes tone from one track to another." - Music editor Jaime Suarez reviews Donald Glover's new album...